Fusian Music Blogger

Ogie Alcasid: He is a Filipino singer, actor, composer, and television host. Ogie Alcasid's music covers a variety of genres including pop, rock, and love songs. He has also received numerous nominations and awards from Philippine music and performance awards. Regine Velasquez: She is one of the most famous female singers in the Philippines, known as the "Asia's Songbird". Regine Velasquez's voice is highly versatile, able to perform various musical genres including pop, rock, and classical music. She has released multiple albums and toured worldwide. Erik Santos: He is a famous Filipino singer who won the "Philippine Idol" competition in 2004. Erik Santos' music style is mainly love songs, and his voice is highly melodic. He has released multiple albums and performed in concerts in the Philippines and other Asian countries. Bahay Kubo: song link The children's song "Bahay Kubo" is a famous Filipino nursery rhyme, usually sun...

Warm-up On the day of the audition, I arrived at the place about 30 minutes earlier than the scheduled warm-up time. As I walked in, a bearded guy holding a Fender guitar sitting at the entrance stood up and warmly greeted me, asking if I was here for the audition. I confirmed, and he found my name on the sign-in sheet and checked it off. He asked me a few basic questions, like "Is this your first audition?" After a brief chat, he showed me where to put my things and said I could rest there until he took me to warm up. I sat on the sofa in the lobby downstairs and practiced for about 10 minutes with what I had brought. Then he stood up and said, "Let's go! I'll take you to warm up." He helped me carry my equipment and examined my bass guitar before saying, "This is a really nice one." We walked to the practice room on the second floor, where we had 15 minutes to warm up. During this time, I practiced the sight reading content that I would be te...

Artists Mentioned in the Conversation Artists Mentioned in the Conversation In case you are wondering who they are what they were talking about, here are the artists they mentioned and their most famous songs: Nial The songs Nial mentioned and sang are in this album: Album Link Artists Tony and Daniel Mentioned Chick Corea (Keyboardist) - Spain Return to Forever (Jazz Band) - Album Link Pat Metheny (Guitarist) - Bright Size Life Kenny G (Saxophonist) - Going Home Wayne Shorter (Saxophonist) - Footprints Esperanza Spalding (Bassist) - Esperanza Spalding's EXPOSURE My Favorite Things - Song Link All of Me - Song Link Band that Sophie mentioned Misty Toast - Album Link Taiwanese Streaming App - StreetVoice Interviewees' Social Media Accounts Nial Stewart - His TikTok Sophie Wu - Her EP on Spotify Daniel Chen - His EP on Spotify

小調順階和弦 介紹小調的順階和弦時，我們必須用兩種不同的觀點切入，一種是台灣流行音樂界比較常用的大調的關係和弦描述小調，一種是美國Berklee的小調中心系統，但不變的是，小調的音跟音的距離是固定的，也就是 全 半 全 全 半 全 全 以下介紹這兩種不同的觀點  關係大調觀點 ：即小調是關係大調從六級開始的和弦，用數字和弦表示法是這樣 6m7 7m7-5 1maj7 2m7 3m7 4maj7 57 這個觀點的好處是，當你在抓歌的時候會比較直觀，畢竟大調思維是最簡單最直接的想法，當你聽到有一首歌是從6m開始或結束，你就可以知道他大概是小調的歌。 小調中心觀點 ：這個方法是將小調的第一個和弦視為一級，在Berklee常用羅法數字代替阿拉伯數字 Im7 IIm7-5 bIIImaj7 IVm7 Vm7 bVImaj7 bVII7 可以看到因為這個系統出現了bIII、bIV、bVII，這是因為必須符合小調全半全全半全全距離的關係，而這樣子的觀點好處是，能夠更清楚調式借用的來源 例：陶喆的普通朋友一開始第二個和弦就是用了IVm，就是借用了小調的四級和弦。 bIII、bVI、bVII也都是很常出現的和弦，就是引用自自然小調。 另外，我們可以在許多的歌曲中發現，他們在彈V級時（大調觀點是3），常常是彈V7(37)而不是Vm7(3m7)，為什麼呢？因為V7提供一個更強的拉力，拉回調性的中心Im7(6m7)，所以很常出現在歌曲之中，製造更緊張的張力，有關於小調V7的來源，就要介紹另外兩種小調和聲小調跟旋律小調了 在一般的情況下，大調觀點就可以處理大部分的歌曲，不管是抓歌、即興等等，小調中心觀點比較像是用來分析歌曲的進行。 by < Daniel Chen > -  Guitar  Teacher of Fusian Music - Graduated from Berklee College of Music - See more in  Fusian Music Website

  Minor Key Chords When introducing the chords of the minor key, we must approach it from two different perspectives. One is the use of the major key chord relationship commonly used in the Taiwanese pop music industry to describe the minor key, and the other is the minor key center system used by Berklee in the United States. However, what remains unchanged is that the distance between the notes of the minor key is fixed, which is: Whole - Half - Whole - Whole - Half - Whole - Whole Below we introduce these two different perspectives. Major key perspective: That is, the minor key is the chord starting from the sixth degree of the major key. The chord notation using numbers is as follows: 6m7 7m7-5 1maj7 2m7 3m7 4maj7 57 The advantage of this perspective is that it is more intuitive when searching for songs. After all, thinking in major keys is the simplest and most direct idea. When you hear a song that starts or ends with 6m, you can guess that it is probably in a min...

  幾種常見的和弦功能 在抓歌、練爵士標準曲過程中，其實可以歸納出一些常見的脈絡，以下就和弦的種類從最簡單到複雜列出來，我認為這七種算是構成了大部分歌曲的和弦要素，如果是流行、搖滾的話也許到第四種就很夠了。 這邊提到的七種和弦，每一種都能夠單獨提出來介紹他背後的意義，而且都有辦法互相代換，有時候就是看創作者認為怎麼樣才會好聽而決定，所以即使知道了這些，對於怎麼應用還是需要透過認識歌曲來達成。 至於每種和弦對應的音階，又是另一個大主題了。 順階和弦 泛指某個調中完全用調內音組成的和弦，例如：１、２ｍ、３ｍ等。 副屬和弦 根音由調內音組成，但和弦是屬七和弦的和弦，用來製造特別的聲響，通常解決到目標的 順階和弦。 Sub-V（廣義降二代五） 與副屬和弦功能相似，但往下半音解決，搭配副屬和弦可以連動。 小調借用和弦 借用平行小調的順階和弦，常見的例如：４ｍ、ｂ６、ｂ７等。 其他調式借用和弦 較少見，比較有名的有ｂ２，借用平行的Phrygian調式。 減和弦 減和弦有許多特殊的功能，最常見的就是兩個全音順階和弦中間的連接，例如２ｍ到 ＃２dim到３ｍ。另外減七和弦也可以看成往前半音的屬七和弦降九，如Bbdim7 = A7b9 (不彈根音) 輔助和弦（Auxiliary Chord） 較少見，一般會依附在順階和弦附近半音，作短暫轉調，例如： Strollin’ by Horace Silver ，1maj7、1maj7、b3m7 b67、2m7 57 by < Daniel Chen > -  Guitar  Teacher of Fusian Music - Graduated from Berklee College of Music - See more in  Fusian Music Website